The retrospective titled presents for the first time a snapshot of a part of his previous œuvre since 2003. This mystical-enigmatic aspect of his work stands in stark contrast to our current world, where almost everything unknown can be googled immediately. His poetic-eerie staged sculptures always resonate with a mysterious subtle ciphering. The artist deliberately chooses the motif "jacket and coat" as an object in order to question the paradoxical ambivalence between art / product, activity / passivity or inside / outside. Like in a laboratory, he dissects form and surface and finds new approaches and syntheses through experimental analysis. This motif is continuously revised and reinterpreted. As a characteristic object, he has opted for the recurring, unusual motif "jacket and coat". He moves on the interface of design, textile, art, history, society and craft. Interests and questions that have fascinated and moved him since his childhood are intuitively taken up in a playful way through form, materiality and subject and critically questioned in the process of editing. Within his subject, he deals with textile material, surface structures and the spatial process of two-dimensional surfaces to form three-dimensional bodies. The objects of the artist can be assigned to the field of three-dimensional textile sculptures. With his artistic work the artist is positioned in an extraordinary niche of fine art. The origin of this project has been documented since 2003 and has developed consistently to this day in a constant process. is an artistic project by the designer and visual artist Stefan Zéphyr Teske. #Anesidora 2015 serial number#Each fine art object comes with a handwritten certificate of authentification and a serial number on the certificate and on the object. The artist works on the interface of design, textile, fine art, history, society and craft. During the process of creating it was growing slowly in a surface and changed into a 3d object. So, its political position starts from zero waste perspective. The triangles are all cut out of leftovers from other projects. Especially the object "2021-01" is created in always using entirely the same equilateral triangles repeatedly. As explained this piece of art contains multiple perspective messages. Finally, this object presents the message of social deficiency like workers producing in very bad conditions products and get very bad paid, while managers bankrupt companies and achieve payments over and over. So this piece of art contains a strong political message, in times the world lives in fear of climate catastrophe like global warming and rubbish, etc. Furthermore, the result is a jacket with zero waste in producing this object garment as there was no waste in cutting the fabric. In this object he is presenting a bastard or offbeat way of thinking outside the box, trying to leave conventions of regular pattern making. His work process often starts involving and examination in surface and body/solid questions, experimenting with materials and textures searching a shape. During his artistic history he decided to keep faithful in his favor object but to translate in new forms and shapes continuously like a process of metamorphosis. The artists main subject is the object of jacket since the dawn of his artistic career. The measurements are in a flat condition. "2021-01" The silhouette of kimono, mathematical mosaic and flat solids inspired to create that piece which is made only by triangles.
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